Manuel João Vieira
Morte (Mulheres Saramaguianas)
$450.00
In stock
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Inspired by the book "Death with Interruptions" by José Saramago, this artwork explores the themes of mortality and the human experience. It is accompanied by a thought-provoking text by Djaimilia Pereira de Almeida.
This piece is part of a special edition released in honor of José Saramago's centenary, in collaboration with the José Saramago Foundation.
Discover the full album "Saramago's Women" which celebrates the powerful female characters in Saramago's literary works.
Partnership: [Name of the organization]
Manuel João Vieira
Manuel João Vieira, born on October 17, 1962, in Lisbon, is the eldest son of Portuguese painter João Rodrigues Vieira and studied at the School of Fine Arts in Lisbon. He is known for his involvement in projects such as Ena Pá 2000, Corações de Atum, and Irmãos Catita, which were born in Lisbon in 1962. This city serves as the main stage for the artist's work, which spans various areas such as painting, music, cinema, politics, and literature. Manuel João Vieira has a strong theatrical and humorous component, combined with a critical and sharp personality that addresses society and its customs or characteristics.
In 1983, the Homeostético Group was founded, which aimed to address emerging artistic trends of the time while also bringing together different disciplines such as music, comics, and cinema. Manuel João Vieira was among the creators of this project, which criticized the artistic panorama and came to an end in 1986.
In the realm of visual arts, there is once again a tendency towards scenic and theatrical creation, with the construction of inhospitable spaces and grotesque or fantastical environments.
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Artist | Manuel João Vieira |
---|---|
Color | Gray, Ivory, Silver |
Date | 2022 |
Editor | Centro Português de Serigrafia |
Format | Large |
Image Size (in) | 14.2 x 21.3 in |
Total Size (in) | 19.7 x 27.6 in |
Orientation | Portrait |
Paper | Fabriano Tiepolo 290gr Paper |
Print Run | 100 |
Style | Uncategorized |
Framed | No |