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Susana Gaudêncio

Interferências ” A Singularidade No Múltiplo

$300.00

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Intervened Print

This artwork presents a unique combination of printmaking and intervention techniques, resulting in a captivating visual experience. The artist skillfully manipulates the traditional medium of printmaking to create a dynamic composition that challenges the viewer's perception.

Through the process of intervention, the artist adds new layers of meaning and interpretation to the original print. This intervention may take the form of hand-drawn elements, collage, or even digital manipulation, adding depth and complexity to the artwork.

The juxtaposition of different techniques and materials creates a harmonious balance between the traditional and the contemporary. The artist's choice of colors, textures, and compositions further enhances the overall aesthetic appeal of the artwork.

This artwork invites the viewer to engage with it on multiple levels, encouraging introspection and reflection. Its thought-provoking nature sparks conversations about the role of tradition and innovation in artistic expression.

Displayed in this virtual gallery, this intervened print is a testament to the artist's creativity and expertise in merging different artistic practices. Its presence adds depth and diversity to the collection, inviting viewers to explore the boundaries of the printmaking medium.

Susana Gaudêncio

Graduated in Painting from the University of Lisbon, she holds an MFA (Master of Fine Arts) from Hunter College in New York (CUNY). As a doctoral researcher at the University of Lisbon, her work has been exhibited at the National Museum of Contemporary Art, Calouste Gulbenkian Foundation, and Electricity Museum in Lisbon; Center for Visual Arts (CAV) in Coimbra; Liverpool Biennial; the ISE Foundation in New York, etc. Gaudêncio coordinates the Triennial Architecture Education Program in Lisbon. She teaches at the School of Art and Design in Caldas da Rainha, in the MFA Program. Individual Exhibitions (selection) A Montra (Lisbon, Portugal, 2015), Época de estranheza em frente ao mundo (National Museum of Contemporary Art/Chiado Museum. Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011), Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), Agonized Humor II (Mews Project. London, England, 2010), Front Project Space (ISE Cultural Foundation. New York, USA, 2009), Blocking (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2009), Agente Provocateur (Carlos Carvalho Contemporary Art - Zoom Room. Lisbon, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program. New York, USA, 2007), Mnemónicas de Lugares (Galeria Pedro Cera. Lisbon, Portugal, 2005), Project Room (Center for Visual Arts, CAV. Coimbra, Portugal, 2007); Group Exhibitions (selection) Gramáticas Flexíveis (Casa das Artes. Porto, Portugal, 2015), Viagem ao Príncipio do Mundo (Maia Biennial. Maia, Portugal, 2015), Contentores (Electricity Museum. Lisbon, Portugal, 2015), As Margens dos Mares (SESC Pinheiros. São Paulo, Brazil, 2015), A Natureza ri da cultura (Luz Museum. Lisbon, Portugal, 2014), Nas Imediações do Desenho (Carlos Carval
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Additional information

Artist

Susana Gaudêncio

Collection

Interferências

Color

Beige, Black, Umber

Date

2012

Editor

Centro Português de Serigrafia

Format

Medium

Image Size (in)

16.5 x 11.6 in

Total Size (in)

16.5 x 11.6 in

Orientation

Landscape

Paper

Fabriano Paper D5 GF 300gr

Technique

Hand-finished intaglio

Style

Minimalism

Framed

No