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Susana Gaudêncio

Interferências ” A Singularidade No Múltiplo

$300.00

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Interventional Printmaking

Experience the captivating world of interventional printmaking through this extraordinary artwork. Combining traditional printmaking techniques with a modern twist, this piece pushes the boundaries of artistic expression.

Through the intricate process of intervention, the artist adds layers of meaning to the original print, transforming it into a unique and thought-provoking creation. Each mark and stroke contributes to the narrative, creating a dialogue between the original image and the artist's interventions.

The interplay of colors, textures, and patterns adds depth and complexity to the artwork, inviting viewers to explore and interpret its hidden messages. The juxtaposition of traditional and contemporary elements creates a harmonious blend, bridging the gap between past and present.

Immerse yourself in the world of interventional printmaking and discover the power of artistic intervention to challenge perceptions and ignite conversations. This artwork serves as a testament to the artist's skill and creativity, leaving a lasting impression on all who encounter it.

Susana Gaudêncio

Graduated in Painting from the University of Lisbon, she holds an MFA (Master of Fine Arts) from Hunter College in New York (CUNY). As a doctoral researcher at the University of Lisbon, her work has been exhibited at the National Museum of Contemporary Art, Calouste Gulbenkian Foundation, and Electricity Museum in Lisbon; Center for Visual Arts (CAV) in Coimbra; Liverpool Biennial; the ISE Foundation in New York, etc. Gaudêncio coordinates the Triennial Architecture Education Program in Lisbon. She teaches at the School of Art and Design in Caldas da Rainha, in the MFA Program. Individual Exhibitions (selection) A Montra (Lisbon, Portugal, 2015), Época de estranheza em frente ao mundo (National Museum of Contemporary Art/Chiado Museum. Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011), Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), Agonized Humor II (Mews Project. London, England, 2010), Front Project Space (ISE Cultural Foundation. New York, USA, 2009), Blocking (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2009), Agente Provocateur (Carlos Carvalho Contemporary Art - Zoom Room. Lisbon, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program. New York, USA, 2007), Mnemónicas de Lugares (Galeria Pedro Cera. Lisbon, Portugal, 2005), Project Room (Center for Visual Arts, CAV. Coimbra, Portugal, 2007); Group Exhibitions (selection) Gramáticas Flexíveis (Casa das Artes. Porto, Portugal, 2015), Viagem ao Príncipio do Mundo (Maia Biennial. Maia, Portugal, 2015), Contentores (Electricity Museum. Lisbon, Portugal, 2015), As Margens dos Mares (SESC Pinheiros. São Paulo, Brazil, 2015), A Natureza ri da cultura (Luz Museum. Lisbon, Portugal, 2014), Nas Imediações do Desenho (Carlos Carval
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Additional information

Artist

Susana Gaudêncio

Collection

Interferências

Color

Beige, Black, Umber

Date

2012

Editor

Centro Português de Serigrafia

Format

Medium

Image Size (in)

16.5 x 11.6 in

Total Size (in)

16.5 x 11.6 in

Orientation

Landscape

Paper

Fabriano Paper D5 GF 300gr

Technique

Hand-finished intaglio

Style

Minimalism

Framed

No