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Susana Gaudêncio

Interferências ” A Singularidade No Múltiplo

$300.00

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Intervened Print

This artwork combines the techniques of printmaking and intervention to create a unique and thought-provoking piece. The artist starts with a traditional print, such as etching or lithography, and then adds layers of hand-drawn elements or other materials to modify and transform the original image.

The result is a visually striking composition that challenges traditional notions of printmaking and invites the viewer to question the boundaries of the medium. The intervention adds depth and complexity to the artwork, creating a dynamic interplay between the original print and the artist's personal expression.

Through this process, the artist explores themes of identity, memory, and social commentary. The layers of intervention can symbolize the layers of our own experiences and the ways in which they shape our perception of the world. The combination of printmaking and intervention creates a dialogue between tradition and innovation, between the past and the present.

This artwork invites the viewer to engage with the piece on multiple levels. From a distance, the intricate details and bold colors capture attention and draw the viewer in. Upon closer inspection, the layers of intervention reveal themselves, offering new insights and interpretations.

Overall, this intervened print challenges the traditional boundaries of printmaking and invites the viewer to explore the intersection of tradition and innovation. It is a captivating and thought-provoking artwork that sparks conversation and invites contemplation.

Susana Gaudêncio

Graduated in Painting from the University of Lisbon, she holds an MFA (Master of Fine Arts) from Hunter College in New York (CUNY). As a doctoral researcher at the University of Lisbon, her work has been exhibited at the National Museum of Contemporary Art, Calouste Gulbenkian Foundation, and Electricity Museum in Lisbon; Center for Visual Arts (CAV) in Coimbra; Liverpool Biennial; the ISE Foundation in New York, etc. Gaudêncio coordinates the Triennial Architecture Education Program in Lisbon. She teaches at the School of Art and Design in Caldas da Rainha, in the MFA Program. Individual Exhibitions (selection) A Montra (Lisbon, Portugal, 2015), Época de estranheza em frente ao mundo (National Museum of Contemporary Art/Chiado Museum. Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011), Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), Agonized Humor II (Mews Project. London, England, 2010), Front Project Space (ISE Cultural Foundation. New York, USA, 2009), Blocking (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2009), Agente Provocateur (Carlos Carvalho Contemporary Art - Zoom Room. Lisbon, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program. New York, USA, 2007), Mnemónicas de Lugares (Galeria Pedro Cera. Lisbon, Portugal, 2005), Project Room (Center for Visual Arts, CAV. Coimbra, Portugal, 2007); Group Exhibitions (selection) Gramáticas Flexíveis (Casa das Artes. Porto, Portugal, 2015), Viagem ao Príncipio do Mundo (Maia Biennial. Maia, Portugal, 2015), Contentores (Electricity Museum. Lisbon, Portugal, 2015), As Margens dos Mares (SESC Pinheiros. São Paulo, Brazil, 2015), A Natureza ri da cultura (Luz Museum. Lisbon, Portugal, 2014), Nas Imediações do Desenho (Carlos Carval
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Additional information

Artist

Susana Gaudêncio

Collection

Interferências

Color

Beige, Black, Umber

Date

2012

Editor

Centro Português de Serigrafia

Format

Medium

Image Size (in)

16.5 x 11.6 in

Total Size (in)

16.5 x 11.6 in

Orientation

Landscape

Paper

Fabriano Paper D5 GF 300gr

Technique

Hand-finished intaglio

Style

Abstract, Minimalism

Framed

No