Images and text courteously supplied by the Centro Português de Serigrafia.

Susana Gaudêncio

Interferências ” A Singularidade No Múltiplo

$300.00

Out of stock

SKU: EU591 Categories: , Tag:

Partnership:

Logo Centro Português de Serigrafia

Intervened Print

Discover the fascinating world of intervened print with this captivating artwork. Through a unique combination of techniques, the artist skillfully transforms traditional prints into visually striking masterpieces.

Each piece in this collection showcases the artist's creative ingenuity and meticulous attention to detail. Delve into the intricate layers and textures that add depth and complexity to these prints, inviting viewers to immerse themselves in a captivating visual experience.

The artist's innovative approach to printmaking challenges conventional boundaries and invites us to question our perception of art. By reimagining traditional prints, they create a dialogue between the past and the present, bridging the gap between traditional and contemporary art forms.

Whether you are an art enthusiast or simply appreciate the beauty of visual storytelling, this collection is sure to captivate your imagination. Explore the captivating world of intervened print and immerse yourself in the artist's unique vision.

Susana Gaudêncio

Graduated in Painting from the University of Lisbon, she holds an MFA (Master of Fine Arts) from Hunter College in New York (CUNY). As a doctoral researcher at the University of Lisbon, her work has been exhibited at the National Museum of Contemporary Art, Calouste Gulbenkian Foundation, and Electricity Museum in Lisbon; Center for Visual Arts (CAV) in Coimbra; Liverpool Biennial; the ISE Foundation in New York, etc. Gaudêncio coordinates the Triennial Architecture Education Program in Lisbon. She teaches at the School of Art and Design in Caldas da Rainha, in the MFA Program. Individual Exhibitions (selection) A Montra (Lisbon, Portugal, 2015), Época de estranheza em frente ao mundo (National Museum of Contemporary Art/Chiado Museum. Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011), Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), Agonized Humor II (Mews Project. London, England, 2010), Front Project Space (ISE Cultural Foundation. New York, USA, 2009), Blocking (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2009), Agente Provocateur (Carlos Carvalho Contemporary Art - Zoom Room. Lisbon, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program. New York, USA, 2007), Mnemónicas de Lugares (Galeria Pedro Cera. Lisbon, Portugal, 2005), Project Room (Center for Visual Arts, CAV. Coimbra, Portugal, 2007); Group Exhibitions (selection) Gramáticas Flexíveis (Casa das Artes. Porto, Portugal, 2015), Viagem ao Príncipio do Mundo (Maia Biennial. Maia, Portugal, 2015), Contentores (Electricity Museum. Lisbon, Portugal, 2015), As Margens dos Mares (SESC Pinheiros. São Paulo, Brazil, 2015), A Natureza ri da cultura (Luz Museum. Lisbon, Portugal, 2014), Nas Imediações do Desenho (Carlos Carval
Read More

Additional information

Artist

Susana Gaudêncio

Collection

Interferências

Color

Beige, Black, Umber

Date

2012

Editor

Centro Português de Serigrafia

Format

Medium

Image Size (in)

16.5 x 11.6 in

Total Size (in)

16.5 x 11.6 in

Orientation

Landscape

Paper

Fabriano Paper D5 GF 300gr

Technique

Hand-finished intaglio

Style

Abstract, Minimalism

Framed

No