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Susana Gaudêncio

Interferências ” A Singularidade No Múltiplo

$300.00

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Intervened Print

Discover the beautifully transformed world of the Intervened Print exhibition. Through the combination of traditional printmaking techniques and innovative interventions, this collection showcases a unique blend of old and new. Each artwork tells a story of artistic exploration, inviting viewers to question the boundaries of printmaking.

With delicate brushstrokes and intricate hand-carved details, the artists have added their personal touch to each print, transforming the original image into something entirely new and captivating. The juxtaposition of traditional and contemporary elements creates a visual dialogue that challenges our perception of art.

From bold splashes of color to subtle alterations, each intervention breathes new life into the printed image. The artists have skillfully manipulated the medium, blurring the line between printmaking and other artistic disciplines. This seamless integration of techniques results in a harmonious fusion of styles.

Step into the world of the Intervened Print exhibition and experience the power of artistic transformation. Immerse yourself in the captivating narratives and thought-provoking imagery, allowing the prints to ignite your imagination and inspire a new appreciation for the possibilities of printmaking.

Susana Gaudêncio

Graduated in Painting from the University of Lisbon, she holds an MFA (Master of Fine Arts) from Hunter College in New York (CUNY). As a doctoral researcher at the University of Lisbon, her work has been exhibited at the National Museum of Contemporary Art, Calouste Gulbenkian Foundation, and Electricity Museum in Lisbon; Center for Visual Arts (CAV) in Coimbra; Liverpool Biennial; the ISE Foundation in New York, etc. Gaudêncio coordinates the Triennial Architecture Education Program in Lisbon. She teaches at the School of Art and Design in Caldas da Rainha, in the MFA Program. Individual Exhibitions (selection) A Montra (Lisbon, Portugal, 2015), Época de estranheza em frente ao mundo (National Museum of Contemporary Art/Chiado Museum. Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011), Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), Agonized Humor II (Mews Project. London, England, 2010), Front Project Space (ISE Cultural Foundation. New York, USA, 2009), Blocking (Carlos Carvalho Contemporary Art. Lisbon, Portugal, 2009), Agente Provocateur (Carlos Carvalho Contemporary Art - Zoom Room. Lisbon, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program. New York, USA, 2007), Mnemónicas de Lugares (Galeria Pedro Cera. Lisbon, Portugal, 2005), Project Room (Center for Visual Arts, CAV. Coimbra, Portugal, 2007); Group Exhibitions (selection) Gramáticas Flexíveis (Casa das Artes. Porto, Portugal, 2015), Viagem ao Príncipio do Mundo (Maia Biennial. Maia, Portugal, 2015), Contentores (Electricity Museum. Lisbon, Portugal, 2015), As Margens dos Mares (SESC Pinheiros. São Paulo, Brazil, 2015), A Natureza ri da cultura (Luz Museum. Lisbon, Portugal, 2014), Nas Imediações do Desenho (Carlos Carval
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Additional information

Artist

Susana Gaudêncio

Collection

Interferências

Color

Beige, Black, Umber

Date

2012

Editor

Centro Português de Serigrafia

Format

Medium

Image Size (in)

16.5 x 11.6 in

Total Size (in)

16.5 x 11.6 in

Orientation

Landscape

Paper

Fabriano Paper D5 GF 300gr

Technique

Hand-finished intaglio

Style

Minimalism

Framed

No